As Glinda, Bailey’s vocals were brilliant and shimmering with a lovely coloratura. Suskauer’s powerful and emotional dramatic soprano for Elphaba provided an appropriate counterbalance. The two make an exquisitely mellifluous pair in several numbers, notably Act One’s finale “Defying Gravity” and the show’s remarkable 11th hour number “For Good.” - WYES-TV Theatre Critic, New Orleans
Allison Bailey as Glinda was brilliant. I cannot properly review this show without noting her performance in "Popular." Bailey was hysterical and did right by the character in that scene. Audiences truly watched as the self-absorbed, ditzy, blonde girl became a kind and compassionate good witch who truly cared for a girl who was different from everyone else. - BroadwayWorld, Jacksonville
The chemistry between Talia Suskauer as Elphaba and Allison Bailey as Glinda was so genuine that you never doubt for a second that they are as close as sisters. I would tell anyone seeing them to remember their names because they both will undoubtedly be stars on Broadway. - BroadwayWorld, Little Rock
“No One Mourns The Wicked” is a shining accomplishment for Bailey as not only does this number set the bar extremely high for her vocal capabilities but it also establishes what kind of a Glinda she is going to be? A good Glinda? Most certainly; though the word wonderful, not exclusive to The Wizard, seems more apropos. - TheatreBloom, Baltimore
Perhaps the highest accolade for Allison Bailey's current exploration of the character is that she reminds you of nobody else. Being herself is all it takes. - The Orange Country Register, Costa Mesa
Some shows are only as good as the strength of their leads. "Wicked" is certainly among them. Fortunately, this North American tour boasts two very strong actresses at the top of the marquee. Bailey is a whirling dervish of a performer who brings the timing and physicality of a seasoned comedienne to the role of Glinda. - Cleveland.com, Cleveland